Monday, December 8, 2014

12-8-14 Week 10 Vocabulary Words, Pronunciations, Definitions, and Sentences


Week 10 Vocabulary Pronunciations


Definitions:

1.  inevitable -- certain to happen, guaranteed
2.  surreptitious -- sneaky, clandestine
3.  savvy -- having understanding, having knowledge
4.  imminent -- about to happen, could happen soon
5. melee -- hand-to-hand combat involving numerous people
6. perilous -- dangerous, life-threatening
7. stagnant -- unmoving, stale
8. pragmatic -- practical, reasonable
9. juggernaut -- an unstoppable force
10. macabre -- dwelling on the gruesome


Sentences:

1.  It is inevitable that we are all going to die at some point.
2.  I tried to be surreptitious when I snuck into the kitchen to purloin the cookie.
3.  He is savvy about fixing cars because he took auto shop.
4.  Those black clouds make it look like rain is imminent.
5.  A melee broke out at the concert down in the mosh pit.
6.  That trail along the precipice looks perilous.
7.  We should not drink the water from the pond because it is stagnant.
     She broke up with him because their relationship was stagnant.
8.  My parents said it would not be pragmatic for me to go to the movies on a school night.
9.  I'm feeling pusillanimous; that other team looks like a juggernaut.
10.  I don't like hanging out with people who are macabre; it freaks me out a bit.

12-8-14 Vobulary Week 10 Practice Quiz Answer Key





12-8-14 Vocabulary Practice Quiz Week 10



12-8-14 Novel Project Options and Descriptions

Novel Projects
For all of the projects, it must be evident that time and effort were put into it. Anything that is sloppy,
messy, and appears to be last-minute work (even if it isn’t) will lose points. Whenever possible, choose typing over handwriting! Take your time, be creative, and do the best you can do. You also want to choose a project that will be within your talent set, one that you find interesting or fun, and one that you can complete before the due date.

“Online” Blog on www.Blogger.com:
            option 1 – create a blog journal for the protagonist in your novel. You need to write your
                          thoughts and reactions (beyond anything included in the novel) to what is happening in
                          the novel. There need to be two entries for each of the four sections to your book. Each
                          entry needs to be interesting, insightful, and detailed. A minimum of 150 - 200 words per
                          entry is required.
           
            option 2 – create a book review for your novel. Include a picture of the cover of the book, and
                          you must include each of the following:  a summary of the plot (without giving away the           
                          ending), a description of each major character (including who the protagonist and
                          antagonist are), the setting, and one potential theme for the novel. Total words will be
                          about 800 words.
           
PowerPoint, Prezi, or Equivalent:
            Create a presentation that can be emailed or shared with me. It needs to include the same
                          information as Online Blog Option 2.  The more artwork and creativity you use,
                          the more points you will be eligible for.

Mobile:
            Create a creative hanging mobile that includes all of the information from “Online Blog
Option 2” above. Have fun with this one!  The more creative you are, the more points you
will be eligible to receive. For ideas to get you started, check out the following sites:

http://www.wikihow.com/Create-a-Calder-Mobile
                        http://www.apartmenttherapy.com/50-fabulous-mobiles-to-make-bu-145916
http://www.marcomahler.com/how-to-make-mobiles/
http://calder.org/work/by-category/hanging-mobile

Book Poster:
            Create a book poster on a half-sized poster board that includes all of the information asked
            for in “Online Blog Option 2” above.

Video Trailer:
            Create a video trailer for you novel. If you have video editing software and quality filming
            equipment, this might be a good choice for you. You do not need to appear in the video, but
            it would be best if you were. Regardless, you need to be one of the key “producers” of the video,
            taking care of a significant portion of the product, whether it is doing the camera work, editing,
            etc.

Other:
            If you have an idea for some other type of project, you can make a proposal to me. All proposals

            must be made BEFORE Dec. 5, however; otherwise, you have to choose one of the above options.

Monday, December 1, 2014

12-1-14 Week 9 Vocabulary Words, Pronunciations, Definitions, and Sentences

Week 9 Vocabulary Pronunciations


Definitions:
1.  alliteration - the repetition of the same letter sound at the beginning of two or more words
2.  annihilate - to completely destroy, to wipe out
3.  belligerent - to oppose defiantly, to oppose in a hostile manner
4.  revulsion - a sense of disgust or loathing
5.  meddle - to interfere in something that is none of your business
6.  destitute - extremely poor; lacking resources
7.  eccentric - odd, whimsical, marching to a different drummer
8.  thwart - to prevent or hinder someone from accomplishing something
9.  umbrage - to take offense to
10.  squeamish - easily made to feel sick or faint

Sentences:
1.  "Carl cooks crab for Carlotta," is an example of alliteration.
2.  One army tried to annihilate the other during the war.
3.  The belligerent boy argued with his parents, and he finally was grounded for a month.
4.  I react with revulsion when I even smell green beans or Brussels sprouts.
5.  My little brother always tries to meddle in my plans.
6.  The man was so destitute, he didn't even have extra clothes or a place to stay.
7.  My sister is eccentric, so some people look at her funny, but I think she's cool.
8.  The defense was able to thwart the other team's attempt to score a touchdown.
9.  I take umbrage to that comment you made about my mother.
10.  If he is squeamish, it probably isn't a good idea to sit by him on that roller coaster.

12-1-14 Week 9 Practice Vocabulary Quiz Answer Key


12-1-14 Week 9 Practice Vocabulary Quiz, Parts 1 and 2



12-1-14 Novel Worksheet Questions

Novel Worksheet
                                                                                                                                             Name:
                                                                                                                                             Date:
                                                                                                                                             Period:

Answer the following questions on separate paper. Typing is preferred, but not required.
Rephrase the question in your answer, and answer the questions in complete sentences.

1.  What is the primary setting of the story?
2.  Who is (are) the main character(s) of the story? Give a brief description of each.
3.  Who is the protagonist of the story? Explain. The antagonist? Explain.
4.  What is the primary conflict the protagonist must overcome?  Is it an internal or external conflict?  Explain.
5.  For each of the main characters you identified in question #2, are they static or dynamic?  Explain how you
know this.
6.  From what point of view is this novel told?  (First person, third person limited, third person omniscient.) 
            Give a passage from the story (in quotes) that demonstrates this.
7.  Find at least five examples of figurative language in the novel. Write the example and explain whether it is
            a metaphor, simile, onomatopoeia, personification or hyperbole. At least three of your examples need
            to be metaphors or similes.
8.  What is the mood created in this book? Explain (and give at least three examples) how one of the three
following literary devices helps create this mood:  word choice, imagery, and setting.
9.   What is the tone of this novel?  Explain. (This might require some research about the author.)
10.  What is a theme for this book?  Explain the theme and give at least three events from the story that
            help illustrate this theme.




12-1-14 Novel Project Requirements - DUE 19!!!!


Novel Project Requirements
Split your book into four “equal” sections. For each section you must include the following (typed, 12 pt., Times New Roman font):
A summary of the important events in that section (150 to 200
words).
          Two words you either didn’t know, are vernacular specific to
                   your novel, or are uncommon or unusual. Write the word,
                   the sentence in which the word is used, and the definition
                   of the word.
          Connect an event from this section of the book to something in
                   your life. (100 to 150 words)
          Identify at least one event that could tie into a theme for this
                   story. Describe the event and explain the theme it could fit.

Complete the Novel Worksheet
The novel worksheet will consist of questions related to plot and your literary terms packet. You will receive this worksheet later this week. (It will be posted to the blog.)

Complete one of the Novel Projects
Project descriptions will be available later this week. You must complete one of them. Completing other projects, or modifying the existing ones, could be worth extra credit. (You must have teacher approval to do the extra credit project!) (A description of the project options will be posted to the blog.)



                

12-1-14 "A Christmas Memory" Text

Imagine a morning in late November. A coming of winter morning more than twenty years ago. Consider the kitchen of a spreading old house in a country town. A great black stove is its main feature; but there is also a big round table and a fireplace with two rocking chairs placed in front of it. Just today the fireplace commenced its seasonal roar.
A woman with shorn white hair is standing at the kitchen window. She is wearing tennis shoes and a shapeless gray sweater over a summery calico dress. She is small and sprightly, like a bantam hen; but, due to a long youthful illness, her shoulders are pitifully hunched. Her face is remarkable—not unlike Lincoln's, craggy like that, and tinted by sun and wind; but it is delicate too, finely boned, and her eyes are sherry-colored and timid. "Oh my," she exclaims, her breath smoking the windowpane, "it's fruitcake weather!"
The person to whom she is speaking is myself. I am seven; she is sixty-something, We are cousins, very distant ones, and we have lived together—well, as long as I can remember. Other people inhabit the house, relatives; and though they have power over us, and frequently make us cry, we are not, on the whole, too much aware of them. We are each other's best friend. She calls me Buddy, in memory of a boy who was formerly her best friend. The other Buddy died in the 1880's, when she was still a child. She is still a child.
"I knew it before I got out of bed," she says, turning away from the window with a purposeful excitement in her eyes. "The courthouse bell sounded so cold and clear. And there were no birds singing; they've gone to warmer country, yes indeed. Oh, Buddy, stop stuffing biscuit and fetch our buggy. Help me find my hat. We've thirty cakes to bake."
It's always the same: a morning arrives in November, and my friend, as though officially inaugurating the Christmas time of year that exhilarates her imagination and fuels the blaze of her heart, announces: "It's fruitcake weather! Fetch our buggy. Help me find my hat."
The hat is found, a straw cartwheel corsaged with velvet roses out-of-doors has faded: it once belonged to a more fashionable relative. Together, we guide our buggy, a dilapidated baby carriage, out to the garden and into a grove of pecan trees. The buggy is mine; that is, it was bought for me when I was born. It is made of wicker, rather unraveled, and the wheels wobble like a drunkard's legs. But it is a faithful object; springtimes, we take it to the woods and fill it with flowers, herbs, wild fern for our porch pots; in the summer, we pile it with picnic paraphernalia and sugar-cane fishing poles and roll it down to the edge of a creek; it has its winter uses, too: as a truck for hauling firewood from the yard to the kitchen, as a warm bed for Queenie, our tough little orange and white rat terrier who has survived distemper and two rattlesnake bites. Queenie is trotting beside it now.
Three hours later we are back in the kitchen hulling a heaping buggyload of windfall pecans. Our backs hurt from gathering them: how hard they were to find (the main crop having been shaken off the trees and sold by the orchard's owners, who are not us) among the concealing leaves, the frosted, deceiving grass. Caarackle! A cheery crunch, scraps of miniature thunder sound as the shells collapse and the golden mound of sweet oily ivory meat mounts in the milk-glass bowl. Queenie begs to taste, and now and again my friend sneaks her a mite, though insisting we deprive ourselves. "We mustn't, Buddy. If we start, we won't stop. And there's scarcely enough as there is. For thirty cakes." The kitchen is growing dark. Dusk turns the window into a mirror: our reflections mingle with the rising moon as we work by the fireside in the firelight. At last, when the moon is quite high, we toss the final hull into the fire and, with joined sighs, watch it catch flame. The buggy is empty, the bowl is brimful.
We eat our supper (cold biscuits, bacon, blackberry jam) and discuss tomorrow. Tomorrow the kind of work I like best begins: buying. Cherries and citron, ginger and vanilla and canned Hawaiian pine-apple, rinds and raisins and walnuts and whiskey and oh, so much flour, butter, so many eggs, spices, flavorings: why, we'll need a pony to pull the buggy home.
But before these Purchases can be made, there is the question of money. Neither of us has any. Except for skin-flint sums persons in the house occasionally provide (a dime is considered very big money); or what we earn ourselves from various activities: holding rummage sales, selling buckets of hand-picked blackberries, jars of home-made jam and apple jelly and peach preserves, rounding up flowers for funerals and weddings. Once we won seventy-ninth prize, five dollars, in a national football contest. Not that we know a fool thing about football. It's just that we enter any contest we hear about: at the moment our hopes are centered on the fifty-thousand-dollar Grand Prize being offered to name a new brand of coffee (we suggested "A.M."; and, after some hesitation, for my friend thought it perhaps sacrilegious, the slogan "A.M.! Amen!"). To tell the truth, our only really profitable enterprise was the Fun and Freak Museum we conducted in a back-yard woodshed two summers ago. The Fun was a stereopticon with slide views of Washington and New York lent us by a relative who had been to those places (she was furious when she discovered why we'd borrowed it); the Freak was a three-legged biddy chicken hatched by one of our own hens. Every body hereabouts wanted to see that biddy: we charged grown ups a nickel, kids two cents. And took in a good twenty dollars before the museum shut down due to the decease of the main attraction.
But one way and another we do each year accumulate Christmas savings, a Fruitcake Fund. These moneys we keep hidden in an ancient bead purse under a loose board under the floor under a chamber pot under my friend's bed. The purse is seldom removed from this safe location except to make a deposit or, as happens every Saturday, a withdrawal; for on Saturdays I am allowed ten cents to go to the picture show. My friend has never been to a picture show, nor does she intend to: "I'd rather hear you tell the story, Buddy. That way I can imagine it more. Besides, a person my age shouldn't squander their eyes. When the Lord comes, let me see him clear." In addition to never having seen a movie, she has never: eaten in a restaurant, traveled more than five miles from home, received or sent a telegram, read anything except funny papers and the Bible, worn cosmetics, cursed, wished someone harm, told a lie on purpose, let a hungry dog go hungry. Here are a few things she has done, does do: killed with a hoe the biggest rattlesnake ever seen in this county (sixteen rattles), dip snuff (secretly), tame hummingbirds (just try it) till they balance on her finger, tell ghost stories (we both believe in ghosts) so tingling they chill you in July, talk to herself, take walks in the rain, grow the prettiest japonicas in town, know the recipe for every sort of oldtime Indian cure, including a magical wart remover.
Now, with supper finished, we retire to the room in a faraway part of the house where my friend sleeps in a scrap-quilt-covered iron bed painted rose pink, her favorite color. Silently, wallowing in the pleasures of conspiracy, we take the bead purse from its secret place and spill its contents on the scrap quilt. Dollar bills, tightly rolled and green as May buds. Somber fifty-cent pieces, heavy enough to weight a dead man's eyes. Lovely dimes, the liveliest coin, the one that really jingles. Nickels and quarters, worn smooth as creek pebbles. But mostly a hateful heap of bitter-odored pennies. Last summer others in the house contracted to pay us a penny for every twenty-five flies we killed. Oh, the carnage of August: the flies that flew to heaven! Yet it was not work in which we took pride. And, as we sit counting pennies, it is as though we were back tabulating dead flies. Neither of us has a head for figures; we count slowly, lose track, start again. According to her calculations, we have $12.73. According to mine, exactly $13. "I do hope you're wrong, Buddy. We can't mess around with thirteen. The cakes will fall. Or put somebody in the cemetery. Why, I wouldn't dream of getting out of bed on the thirteenth." This is true: she always spends thirteenths in bed. So, to be on the safe side, we subtract a penny and toss it out the window.
Of the ingredients that go into our fruitcakes, whiskey is the most expensive, as well as the hardest to obtain: State laws forbid its sale. But everybody knows you can buy a bottle from Mr. Haha Jones. And the next day, having completed our more prosaic shopping, we set out for Mr. Haha's business address, a "sinful" (to quote public opinion) fish-fry and dancing cafe down by the river. We've been there before, and on the same errand; but in previous years our dealings have been with Haha's wife, an iodine-dark Indian woman with brassy peroxided hair and a dead-tired disposition. Actually, we've never laid eyes on her husband, though we've heard that he's an Indian too. A giant with razor scars across his cheeks. They call him Haha because he's so gloomy, a man who never laughs. As we approach his cafe (a large log cabin festooned inside and out with chains of garish-gay naked light bulbs and standing by the river's muddy edge under the shade of river trees where moss drifts through the branches like gray mist) our steps slow down. Even Queenie stops prancing and sticks close by. People have been murdered in Haha's cafe. Cut to pieces. Hit on the head. There's a case coming up in court next month. Naturally these goings-on happen at night when the colored lights cast crazy patterns and the Victrolah wails. In the daytime Haha's is shabby and deserted. I knock at the door, Queenie barks, my friend calls: "Mrs. Haha, ma'am? Anyone to home?"
Footsteps. The door opens. Our hearts overturn. It's Mr. Haha Jones himself! And he is a giant; he does have scars; he doesn'tsmile. No, he glowers at us through Satan-tilted eyes and demands to know: "What you want with Haha?"
For a moment we are too paralyzed to tell. Presently my friend half-finds her voice, a whispery voice at best: "If you please, Mr. Haha, we'd like a quart of your finest whiskey."
His eyes tilt more. Would you believe it? Haha is smiling! Laughing, too. "Which one of you is a drinkin' man?"
"It's for making fruitcakes, Mr. Haha. Cooking. "
This sobers him. He frowns. "That's no way to waste good whiskey." Nevertheless, he retreats into the shadowed cafe and seconds later appears carrying a bottle of daisy-yellow unlabeled liquor. He demonstrates its sparkle in the sunlight and says: "Two dollars."
We pay him with nickels and dimes and pennies. Suddenly, as he jangles the coins in his hand like a fistful of dice, his face softens. "Tell you what," he proposes, pouring the money back into our bead purse, "just send me one of them fruitcakes instead."
"Well," my friend remarks on our way home, "there's a lovely man. We'll put an extra cup of raisins in his cake."
The black stove, stoked with coal and firewood, glows like a lighted pumpkin. Eggbeaters whirl, spoons spin round in bowls of butter and sugar, vanilla sweetens the air, ginger spices it; melting, nose-tingling odors saturate the kitchen, suffuse the house, drift out to the world on puffs of chimney smoke. In four days our work is done. Thirty-one cakes, dampened with whiskey, bask on windowsills and shelves.
Who are they for?
Friends. Not necessarily neighbor friends: indeed, the larger share is intended for persons we've met maybe once, perhaps not at all. People who've struck our fancy. Like President Roosevelt. Like the Reverend and Mrs. J. C. Lucey, Baptist missionaries to Borneo who lectured here last winter. Or the little knife grinder who comes through town twice a year. Or Abner Packer, the driver of the six o'clock bus from Mobile, who exchanges waves with us every day as he passes in a dust-cloud whoosh. Or the young Wistons, a California couple whose car one afternoon broke down outside the house and who spent a pleasant hour chatting with us on the porch (young Mr. Wiston snapped our picture, the only one we've ever had taken). Is it because my friend is shy with everyone except strangers that these strangers, and merest acquaintances, seem to us our truest friends? I think yes. Also, the scrapbooks we keep of thank-you's on White House stationery, time-to-time communications from California and Borneo, the knife grinder's penny post cards, make us feel connected to eventful worlds beyond the kitchen with its view of a sky that stops.
Now a nude December fig branch grates against the window. The kitchen is empty, the cakes are gone; yesterday we carted the last of them to the post office, where the cost of stamps turned our purse inside out. We're broke. That rather depresses me, but my friend insists on celebrating—with two inches of whiskey left in Haha's bottle. Queenie has a spoonful in a bowl of coffee (she likes her coffee chicory-flavored and strong). The rest we divide between a pair of jelly glasses. We're both quite awed at the prospect of drinking straight whiskey; the taste of it brings screwedup expressions and sour shudders. But by and by we begin to sing, the two of us singing different songs simultaneously. I don't know the words to mine, just: Come on along, come on along, to the dark-town strutters' ball. But I can dance: that's what I mean to be, a tap dancer in the movies. My dancing shadow rollicks on the walls; our voices rock the chinaware; we giggle: as if unseen hands were tickling us. Queenie rolls on her back, her paws plow the air, something like a grin stretches her black lips. Inside myself, I feel warm and sparky as those crumbling logs, carefree as the wind in the chimney. My friend waltzes round the stove, the hem of her poor calico skirt pinched between her fingers as though it were a party dress: Show me the way to go home, she sings, her tennis shoes squeaking on the floor. Show me the way to go home.
Enter: two relatives. Very angry. Potent with eyes that scold, tongues that scald. Listen to what they have to say, the words tumbling together into a wrathful tune: "A child of seven! whiskey on his breath! are you out of your mind? feeding a child of seven! must be loony! road to ruination! remember Cousin Kate? Uncle Charlie? Uncle Charlie's brother-inlaw? shame! scandal! humiliation! kneel, pray, beg the Lord!"
Queenie sneaks under the stove. My friend gazes at her shoes, her chin quivers, she lifts her skirt and blows her nose and runs to her room. Long after the town has gone to sleep and the house is silent except for the chimings of clocks and the sputter of fading fires, she is weeping into a pillow already as wet as a widow's handkerchief.
"Don't cry," I say, sitting at the bottom of her bed and shivering despite my flannel nightgown that smells of last winter's cough syrup, "Don't cry," I beg, teasing her toes, tickling her feet, "you're too old for that."
"It's because," she hiccups, "I am too old. Old and funny."
"Not funny. Fun. More fun than anybody. Listen. If you don't stop crying you'll be so tired tomorrow we can't go cut a tree."
She straightens up. Queenie jumps on the bed (where Queenie is not allowed) to lick her cheeks. "I know where we'll find real pretty trees, Buddy. And holly, too. With berries big as your eyes. It's way off in the woods. Farther than we've ever been. Papa used to bring us Christmas trees from there: carry them on his shoulder. That's fifty years ago. Well, now: I can't wait for morning."
Morning. Frozen rime lusters the grass; the sun, round as an orange and orange as hot-weather moons, balances on the horizon, burnishes the silvered winter woods. A wild turkey calls. A renegade hog grunts in the undergrowth. Soon, by the edge of knee-deep, rapid-running water, we have to abandon the buggy. Queenie wades the stream first, paddles across barking complaints at the swiftness of the current, the pneumonia-making coldness of it. We follow, holding our shoes and equipment (a hatchet, a burlap sack) above our heads. A mile more: of chastising thorns, burrs and briers that catch at our clothes; of rusty pine needles brilliant with gaudy fungus and molted feathers. Here, there, a flash, a flutter, an ecstasy of shrillings remind us that not all the birds have flown south. Always, the path unwinds through lemony sun pools and pitchblack vine tunnels. Another creek to cross: a disturbed armada of speckled trout froths the water round us, and frogs the size of plates practice belly flops; beaver workmen are building a dam. On the farther shore, Queenie shakes herself and trembles. My friend shivers, too: not with cold but enthusiasm. One of her hat's ragged roses sheds a petal as she lifts her head and inhales the pine-heavy air. "We're almost there; can you smell it, Buddy'" she says, as though we were approaching an ocean.
And, indeed, it is a kind of ocean. Scented acres of holiday trees, prickly-leafed holly. Red berries shiny as Chinese bells: black crows swoop upon them screaming. Having stuffed our burlap sacks with enough greenery and crimson to garland a dozen windows, we set about choosing a tree. "It should be," muses my friend, "twice as tall as a boy. So a boy can't steal the star." The one we pick is twice as tall as me. A brave handsome brute that survives thirty hatchet strokes before it keels with a creaking rending cry. Lugging it like a kill, we commence the long trek out. Every few yards we abandon the struggle, sit down and pant. But we have the strength of triumphant huntsmen; that and the tree's virile, icy perfume revive us, goad us on. Many compliments accompany our sunset return along the red clay road to town; but my friend is sly and noncommittal when passers-by praise the treasure perched in our buggy: what a fine tree, and where did it come from? "Yonderways," she murmurs vaguely. Once a car stops, and the rich mill owner's lazy wife leans out and whines: "Giveya two-bits" cash for that ol tree." Ordinarily my friend is afraid of saying no; but on this occasion she promptly shakes her head: "We wouldn't take a dollar." The mill owner's wife persists. "A dollar, my foot! Fifty cents. That's my last offer. Goodness, woman, you can get another one." In answer, my friend gently reflects: "I doubt it. There's never two of anything."
Home: Queenie slumps by the fire and sleeps till tomorrow, snoring loud as a human.
A trunk in the attic contains: a shoebox of ermine tails (off the opera cape of a curious lady who once rented a room in the house), coils of frazzled tinsel gone gold with age, one silver star, a brief rope of dilapidated, undoubtedly dangerous candylike light bulbs. Excellent decorations, as far as they go, which isn't far enough: my friend wants our tree to blaze "like a Baptist window," droop with weighty snows of ornament. But we can't afford the made-in-Japan splendors at the five-and-dime. So we do what we've always done: sit for days at the kitchen table with scissors and crayons and stacks of colored paper. I make sketches and my friend cuts them out: lots of cats, fish too (because they're easy to draw), some apples, some watermelons, a few winged angels devised from saved-up sheets of Hershey bar tin foil. We use safety pins to attach these creations to the tree; as a final touch, we sprinkle the branches with shredded cotton (picked in August for this purpose). My friend, surveying the effect, clasps her hands together. "Now honest, Buddy. Doesn't it look good enough to eat!" Queenie tries to eat an angel.
After weaving and ribboning holly wreaths for all the front windows, our next project is the fashioning of family gifts. Tie-dye scarves for the ladies, for the men a homebrewed lemon and licorice and aspirin syrup to be taken "at the first Symptoms of a Cold and after Hunting." But when it comes time for making each other's gift, my friend and I separate to work secretly. I would like to buy her a pearl-handled knife, a radio, a whole pound of chocolate-covered cherries (we tasted some once, and she always swears: "1 could live on them, Buddy, Lord yes I could—and that's not taking his name in vain"). Instead, I am building her a kite. She would like to give me a bicycle (she's said so on several million occasions: "If only I could, Buddy. It's bad enough in life to do without something you want; but confound it, what gets my goat is not being able to give somebody something you want them to have. Only one of these days I will, Buddy. Locate you a bike. Don't ask how. Steal it, maybe"). Instead, I'm fairly certain that she is building me a kite—the same as last year and the year before: the year before that we exchanged slingshots. All of which is fine by me. For we are champion kite fliers who study the wind like sailors; my friend, more accomplished than I, can get a kite aloft when there isn't enough breeze to carry clouds.
Christmas Eve afternoon we scrape together a nickel and go to the butcher's to buy Queenie's traditional gift, a good gnawable beef bone. The bone, wrapped in funny paper, is placed high in the tree near the silver star. Queenie knows it's there. She squats at the foot of the tree staring up in a trance of greed: when bedtime arrives she refuses to budge. Her excitement is equaled by my own. I kick the covers and turn my pillow as though it were a scorching summer's night. Somewhere a rooster crows: falsely, for the sun is still on the other side of the world.
"Buddy, are you awake!" It is my friend, calling from her room, which is next to mine; and an instant later she is sitting on my bed holding a candle. "Well, I can't sleep a hoot," she declares. "My mind's jumping like a jack rabbit. Buddy, do you think Mrs. Roosevelt will serve our cake at dinner?" We huddle in the bed, and she squeezes my hand I-love-you. "Seems like your hand used to be so much smaller. I guess I hate to see you grow up. When you're grown up, will we still be friends?" I say always. "But I feel so bad, Buddy. I wanted so bad to give you a bike. I tried to sell my cameo Papa gave me. Buddy"—she hesitates, as though embarrassed—"I made you another kite." Then I confess that I made her one, too; and we laugh. The candle burns too short to hold. Out it goes, exposing the starlight, the stars spinning at the window like a visible caroling that slowly, slowly daybreak silences. Possibly we doze; but the beginnings of dawn splash us like cold water: we're up, wide-eyed and wandering while we wait for others to waken. Quite deliberately my friend drops a kettle on the kitchen floor. I tap-dance in front of closed doors. One by one the household emerges, looking as though they'd like to kill us both; but it's Christmas, so they can't. First, a gorgeous breakfast: just everything you can imagine—from flapjacks and fried squirrel to hominy grits and honey-in-the-comb. Which puts everyone in a good humor except my friend and me. Frankly, we're so impatient to get at the presents we can't eat a mouthful.
Well, I'm disappointed. Who wouldn't be? With socks, a Sunday school shirt, some handkerchiefs, a hand-me-down sweater, and a year's subscription to a religious magazine for children. The Little Shepherd. It makes me boil. It really does.
My friend has a better haul. A sack of Satsumas, that's her best present. She is proudest, however, of a white wool shawl knitted by her married sister. But she says her favorite gift is the kite I built her. And it is very beautiful; though not as beautiful as the one she made me, which is blue and scattered with gold and green Good Conduct stars; moreover, my name is painted on it, "Buddy."
"Buddy, the wind is blowing."
The wind is blowing, and nothing will do till we've run to a Pasture below the house where Queenie has scooted to bury her bone (and where, a winter hence, Queenie will be buried, too). There, plunging through the healthy waist-high grass, we unreel our kites, feel them twitching at the string like sky fish as they swim into the wind. Satisfied, sun-warmed, we sprawl in the grass and peel Satsumas and watch our kites cavort. Soon I forget the socks and hand-me-down sweater. I'm as happy as if we'd already won the fifty-thousand-dollar Grand Prize in that coffee-naming contest.
"My, how foolish I am!" my friend cries, suddenly alert, like a woman remembering too late she has biscuits in the oven. "You know what I've always thought?" she asks in a tone of discovery and not smiling at me but a point beyond. "I've always thought a body would have to be sick and dying before they saw the Lord. And I imagined that when he came it would be like looking at the Baptist window: pretty as colored glass with the sun pouring through, such a shine you don't know it's getting dark. And it's been a comfort: to think of that shine taking away all the spooky feeling. But I'11 wager it never happens. I'11 wager at the very end a body realizes the Lord has already shown Himself. That things as they are"—her hand circles in a gesture that gathers clouds and kites and grass and Queenie pawing earth over her bone—"just what they've always seen, was seeing Him. As for me, I could leave the world with today in my eyes."
This is our last Christmas together.
Life separates us. Those who Know Best decide that I belong in a military school. And so follows a miserable succession of bugle-blowing prisons, grim reveille-ridden summer camps. I have a new home too. But it doesn't count. Home is where my friend is, and there I never go.
And there she remains, puttering around the kitchen. Alone with Queenie. Then alone. ("Buddy dear," she writes in her wild hard-to-read script, "yesterday Jim Macy's horse kicked Queenie bad. Be thankful she didn't feel much. I wrapped her in a Fine Linen sheet and rode her in the buggy down to Simpson's pasture where she can be with all her Bones...."). For a few Novembers she continues to bake her fruitcakes single-handed; not as many, but some: and, of course, she always sends me "the best of the batch." Also, in every letter she encloses a dime wadded in toilet paper: "See a picture show and write me the story." But gradually in her letters she tends to confuse me with her other friend, the Buddy who died in the 1880's; more and more, thirteenths are not the only days she stays in bed: a morning arrives in November, a leafless birdless coming of winter morning, when she cannot rouse herself to exclaim: "Oh my, it's fruitcake weather! "
And when that happens, I know it. A message saying so merely confirms a piece of news some secret vein had already received, severing from me an irreplaceable part of myself, letting it loose like a kite on a broken string. That is why, walking across a school campus on this particular December morning, I keep searching the sky. As if I expected to see, rather like hearts, a lost pair of kites hurrying toward heaven.

12-1-14 "A Christmas Memory" Writing Prompts and Requirements

Easier Question:
What are three specific events from “A Christmas Memory” that help explain why Buddy and Sook are best friends?

More Challenging (eligible for bonus points):
What do the kites at the end of the story symbolize?  Give at least three examples from the story to support your answer.

You need to include the following:
          A topic sentence, three lead-off sentences, and three follow-up
sentences for each lead-off.
At least 1  ID sentence
At least 1 D, I sentence
          At least 2 Compound sentences
          The remainder can be simple sentences.



Wednesday, November 19, 2014

11-19-14 Simple and Compound Sentence Review

Simple Sentence Formulas:         SV   SVV SSV  SSVV
Compound Sentence Formulas: I,cI    I;I

1.  Timmy and Ethan completed the assignment for today.
2.   Samantha beat up Joey, Jr., but nobody could blame her for her actions.
3.  Alayna should be in Honors English, but she can always take it next year.
4.  Riley has a concussion, so she acts more ditzy than usual.
5.  Prairie has a strong volleyball program; the varsity team finished in the top
12 at state this year.
6.  Lou and Abbott hope to play volleyball for Prairie all four years of high
school.
7.  Monica and Stacy talk and giggle throughout the class.
8.  She wants to go to school to prepare for college.
9.  The dog chased and herded the cattle on the ranch.

10. Rylie loves to eat dirt, but she says she doesn’t like it.

Tuesday, November 11, 2014

Week 8 Vocabulary Words, Definitions, Sentences, and Pronunciations

Week 8 Vocab Pronunciations


Definitions:
1.  fortuitous - lucky or fortunate
2.  kudos - praise for a job well done
3.  proficient -- highly trained or skilled
4.  empathy -- experiencing the pain or sorrow someone else is feeling
5.  utopia -- a perfect world or society
6.  churlish - vulgar or rude
7.  forte -- an area of expertise, something someone is really good at, a strength
8.  immune -- free from the effects of something
9.  relevant -- pertaining to the subject at hand
10.  articulate -- (the adjective, not the verb) having the ability to express one's thoughts in a clear and effective manner


Sentences:
1.  The baseball took a fortuitous hope right into his glove.
2.  Kudos to you for doing such a great job on that project.
3.  He is proficient at karate because he has been training for years.
4.  She was filled with so much empathy for her friend, she started crying, too.
5.  They tried to create a utopia, but greed and selfishness destroyed their plan.
6.  His behavior is so churlish, she said she would never go out with him.
7.   Her is good at all gymnastic events, but her forte is balance beam.
8.  Because he had a measles shot, he is immune to the disease.
9.  We are discussing sports, so your comment about cooking is not relevant.
10.  He won the election because he was articulate, not because he was the best for the job.



11-10-14 Week 8 Vocabulary Practice Quiz Answer Key, Parts 1 & 2










11-10-14 Week 8 Vocabulary Practice Quiz, Parts 1&2







Monday, November 10, 2014

11-10-14 Questions for "The Bass, the River, and Sheila Mant"

Choose 1

1.  What were three glaring clues that Sheila Mant was not the right girl for the narrator?

2.  Was the narrator's pursuit of Sheila Mant worthwhile?

3.  Was the narrator's attraction for Sheila Mant based on appearance or compatibility.


For whichever prompt you choose, you must include the following in your paragraph:  topic sentence, three lead-offs with transitions, and two follow-ups for each lead-off.


11-10-14 "The Bass, the River, and Sheila Mant" Text

The Bass, The River, and Sheila Mant  - W. D. Wetherell




There was a summer in my life when the only creature that seemed lovelier to me than a largemouth bass was Sheila Mant. I was fourteen. The Mants had rented the cottage next to ours on the river; with their parties, their frantic games of softball, their constant comings and goings, they appeared to me denizens of a brilliant existence. “Too noisy by half,” my mother quickly decided, but I would have given anything to be invited to one of their parties, and when my parents went to bed I would sneak through the woods to their hedge and stare enchanted at the candlelit swirl of white dresses and bright, paisley skirts. 
Sheila was the middle daughter—at seventeen, all but out of reach. She would spend her days sunbathing on a float my Uncle Sierbert had moored in their cove, and before July was over I had learned all her moods. If she lay flat on the diving board with her hand trailing idly in the water, she was pensive, not to be disturbed. On her side, her head propped up by her arm, she was observant, considering those around her with a look that seemed queenly and severe. Sitting up, arms tucked around her long, suntanned legs, she was approachable, but barely, and it was only in those glorious moments when she stretched herself prior to entering the water that her various suitors found the courage to come near. 
These were many. The Dartmouth heavyweight crew would scull by her house on their way upriver, and I think all eight of them must have been in love with her at various times during the summer; the coxswain would curse them through his megaphone, but without effect—there was always a pause in their pace when they passed Sheila’s float. I suppose to these jaded twenty-year-olds she seemed the incarnation of innocence and youth, while to me she appeared unutterably suave, the epitome of sophistication. I was on the swim team at school, and to win her attention would do endless laps between my house and the Vermont shore, hoping she would notice the beauty of my flutter kick, the power of my crawl. Finishing, I would boost myself up onto our dock and glance casually over toward her, but she was never watching, and the miraculous day she was, I immediately climbed the diving board and did my best tuck and a half for her and continued diving until she had left and the sun went down and my longing was like a madness and I couldn’t stop. 

It was late August by the time I got up the nerve to ask her out. The tortured will-I’s, won’t-I’s, the agonized indecision over what to say, the false starts toward her house and embarrassed retreats—the details of these have been seared from my memory, and the only part I remember clearly is emerging from the woods toward dusk while they were playing softball on their lawn, as bashful and frightened as a unicorn. 

Sheila was stationed halfway between first and second, well outside the infield. She didn’t seem surprised to see me—as a matter of fact, she didn’t seem to see me at all. 
“If you’re playing second base, you should move closer,” I said. 
She turned—I took the full brunt of her long red hair and well-spaced freckles. 
“I’m playing outfield,” she said, “I don’t like the responsibility of having a base.” 
 “Yeah, I can understand that,” I said, though I couldn’t. “There’s a band in Dixford tomorrow night at nine. Want to go?” 
One of her brothers sent the ball sailing over the left-fielder’s head; she stood and watched it disappear toward the river. 
“You have a car?” she said, without looking up.
Ø  Scull – row, as in a rowboat.
Ø  Coxswain – person steering a racing shell and calling out the rhythm of the strokes for the crew.
Ø  Epitome – embodiment; one that is representative of a type or class.





I played my master stroke. “We’ll go by canoe.” 
I spent all of the following day polishing it. I turned it upside down on our lawn and rubbed every inch with Brillo, hosing off the dirt, wiping it with chamois until it gleamed as bright as aluminum ever gleamed. About five, I slid it into the water, arranging cushions near the bow so Sheila could lean on them if she was in one of her pensive moods, propping up my father’s transistor radio by the middle thwart so we could have music when we came back. Automatically, without thinking about it, I mounted my Mitchell reel on my Pfleuger spinning rod and stuck it in the stern. 
I say automatically, because I never went anywhere that summer without a fishing rod. When I wasn’t swimming laps to impress Sheila, I was back in our driveway practicing casts, and when I wasn’t practicing casts, I was tying the line to Tosca, our springer spaniel, to test the reel’s drag, and when I wasn’t doing any of those things, I was fishing the river for bass. 
Too nervous to sit at home, I got in the canoe early and started paddling in a huge circle that would get me to Sheila’s dock around eight. As automatically as I brought along my rod, I tied on a big Rapala plug, let it down into the water, let out some line, and immediately forgot all about it. 
It was already dark by the time I glided up to the Mants’ dock. Even by day the river was quiet, most of the summer people preferring Sunapee or one of the other nearby lakes, and at night it was a solitude difficult to believe, a corridor of hidden life that ran between banks like a tunnel. Even the stars were part of it. They weren’t as sharp anywhere else; they seemed to have chosen the river as a guide on their slow wheel toward morning, and in the course of the summer’s fishing, I had learned all their names.
I was there ten minutes before Sheila appeared. I heard the slam of their screen door first, then saw her in the spotlight as she came slowly down the path. As beautiful as she was on the float, she was even lovelier now—her white dress went perfectly with her hair, and complimented her figure even more than her swimsuit. 
It was her face that bothered me. It had on its delightful fullness a very dubious expression. 
“Look,” she said. “I can get Dad’s car.” 
“It’s faster this way,” I lied. “Parking’s tense up there. Hey, it’s safe. I won’t tip it or anything.” 
She let herself down reluctantly into the bow. I was glad she wasn’t facing me. When her eyes were on me, I felt like diving in the river again from agony and joy. 
I pried the canoe away from the dock and started paddling upstream. There was an extra paddle in the bow, but Sheila made no move to pick it up. She took her shoes off and dangled her feet over the side. 
Ten minutes went by. 

“What kind of band?” she said. 
“It’s sort of like folk music. You’ll like it.” 
“Eric Caswell’s going to be there. He strokes number four.” 
“No kidding?” I said. I had no idea whom she meant.
“What’s that sound?” she said, pointing toward shore. 
“Bass. That splashing sound?” 
“Over there.”
“Yeah, bass. They come into the shallows at night to chase frogs and moths and things. Big largemouths. Micropterus salmoides,”  I added, showing off. 
Þ       Chamois – soft leather used for polishing.
Þ       Middle thwart – brace across the middle of a canoe.
Þ    Micropterus salmoides – the scientific name for a largemouth bass.


.


“I think fishing’s dumb,” she said, making a face. “I mean, it’s boring and all. Definitely dumb.” 
Now I have spent a great deal of time in the years since wondering why Sheila Mant should come down so hard on fishing. Was her father a fisherman? Her antipathy toward fishing nothing more than normal filial rebellion? Had she tried it once? A messy encounter with worms? It doesn’t matter. What does is that at that fragile moment in time I would have given anything not to appear dumb in Sheila’s severe and unforgiving eyes. 
She hadn’t seen my equipment yet. What I should have done, of course, was push the canoe in closer to shore and carefully slide the rod into some branches where I could pick it up again in the morning. Failing that, I could have surreptitiously dumped the whole outfit overboard, written off the forty or so dollars as love’s tribute. What I actually did do was gently lean forward, and slowly, ever so slowly, push the rod back through my legs toward the stern where it would be less conspicuous
It must have been just exactly what the bass was waiting for. Fish will trail a lure sometimes, trying to make up their mind whether or not to attack, and the slight pause in the plug’s speed caused by my adjustment was tantalizing enough to overcome the bass’s inhibitions. My rod, safely out of sight at last, bent double. The line, tightly coiled, peeled off the spool with the shrill, tearing zip of a high-speed drill. 
Four things occurred to me at once. One, that it was a bass. Two, that it was a big bass. Three, that it was the biggest bass I had ever hooked. Four, that Sheila Mant must not know. “What was that?” she said, turning half around. 
“Uh, what was what?” 
“That buzzing noise.” 
“Bats.” 
She shuddered, quickly drew her feet back into the canoe. Every instinct I had told me to pick up the rod and strike back at the bass, but there was no need to—it was already solidly hooked. Downstream, an awesome distance downstream, it jumped clear of the water, landing with a concussion heavy enough to ripple the entire river. For a moment, I thought it was gone, but then the rod was bending again, the tip dancing into the water. Slowly, not making any motion that might alert Sheila, I reached down to tighten the drag. 
While all this was going on, Sheila had begun talking, and it was a few minutes before I was able to catch up with her train of thought. 
“I went to a party there. These fraternity men. Katherine says I could get in there if I wanted. I’m thinking more of UVM or Bennington. Somewhere I can ski.”
The bass was slanting toward the rocks on the New Hampshire side by the ruins of Donaldson’s boathouse. It had to be an old bass—a young one probably wouldn’t have known the rocks were there. I brought the canoe back into the middle of the river, hoping to head it off.
“That’s neat,” I mumbled. “Skiing. Yeah, I can see that.” 
“Eric said I have the figure to model, but I thought I should get an education first. I mean, it might be a while before I get started and all. I was thinking of getting my hair styled, more swept back? I mean, Ann-Margret? Like hers, only shorter.”
She hesitated. “Are we going backward?”
We were. I had managed to keep the bass in the middle of the river away from the rocks, but it had plenty of room there, and for the first time a chance to exert its full strength. I quickly computed the weight necessary to draw a fully loaded canoe backward—the thought of it made me feel faint.
“It’s just the current,” I said hoarsely. “No sweat or anything.” 
Þ       UVM or Bennington – University of Vermont or Bennington College, Bennington Vermont.
Þ       Ann-Margret – (1941- ) Movie star, very popular at the time of this story.




I dug in deeper with my paddle. Reassured, Sheila began talking about something else, but all my attention was taken up now with the fish. I could feel its desperation as the water grew shallower. I could sense the extra strain on the line, the frantic way it cut back and forth in the water. I could visualize what it looked like—the gape of its mouth, the flared gills and thick, vertical tail. The bass couldn’t have encountered many forces in its long life that it wasn’t capable of handling, and the unrelenting tug at its mouth must have been a source of great puzzlement and mounting panic. 
Me, I had problems of my own. To get to Dixford, I had to paddle up a sluggish stream that came into the river beneath a covered bridge. There was a shallow sandbar at the mouth of this stream—weeds on one side, rocks on the other. Without doubt, this is where I would lose the fish. 
“I have to be careful with my complexion. I tan, but in segments. I can’t figure out if it’s even worth it. I wouldn’t even do it probably. I saw Jackie Kennedy in Boston, and she wasn’t tan at all.”

Taking a deep breath, I paddled as hard as I could for the middle, deepest part of the bar. I could have threaded the eye of a needle with the canoe, but the pull on the stern threw me off, and I overcompensated—the canoe veered left and scraped bottom. I pushed the paddle down and shoved. A moment of hesitation . . . a moment more. . . . The canoe shot clear into the deeper water of the stream. I immediately looked down at the rod. It was bent in the same tight arc—miraculously, the bass was still on. 
The moon was out now. It was low and full enough that its beam shone directly on Sheila there ahead of me in the canoe, washing her in a creamy, luminous glow. I could see the lithe, easy shape of her figure. I could see the way her hair curled down off her shoulders, the proud, alert tilt of her head, and all these things were as a tug on my heart. Not just Sheila, but the aura she carried about her of parties and casual touchings and grace. Behind me, I could feel the strain of the bass, steadier now, growing weaker, and this was another tug on my heart, not just the bass but the beat of the river and the slant of the stars and the smell of the night, until finally it seemed I would be torn apart between longings, split in half. Twenty yards ahead of us was the road, and once I pulled the canoe up on shore, the bass would be gone, irretrievably gone. If instead I stood up, grabbed the rod, and started pumping, I would have it—as tired as the bass was, there was no chance it could get away. I reached down for the rod, hesitated, looked up to where Sheila was stretching herself lazily toward the sky, her small breasts rising beneath the soft fabric of her dress, and the tug was too much for me, and quicker than it takes to write down, I pulled a penknife from my pocket and cut the line in half. 
With a sick, nauseous feeling in my stomach, I saw the rod unbend. 
 “My legs are sore,” Sheila whined. “Are we there yet?” 
Through a superhuman effort of self-control, I was able to beach the canoe and help Sheila off. The rest of the night is much foggier. We walked to the fair—there was the smell of popcorn, the sound of guitars. I may have danced once or twice with her, but all I really remember is her coming over to me once the music was done to explain that she would be going home in Eric Caswell’s Corvette. 
“Okay,” I mumbled. 
For the first time that night she looked at me, really looked at me. 
“You’re a funny kid, you know that?” 
Funny. Different. Dreamy. Odd. How many times was I to hear that in the years to come, all spoken with the same quizzical, half-accusatory tone Sheila used then. Poor Sheila! Before the month was over, the spell she cast over me was gone, but the memory of that lost bass haunted me all summer and haunts me still. There would be other Sheila Mants in my life, other fish, and though I came close once or twice, it was these secret, hidden tuggings in the night that claimed me, and I never made the same mistake again.
*Jackie Kennedy (1929-1994)First Lady during the administration of President John F. Kennedy; greatly admired by the public for her dignity and sense of style.



Thursday, November 6, 2014

11-6-14 Extra Credit Opportunity DUE ON OR BEFORE 11/14/14

Social Interaction Video

Watch the above video and write a paragraph that does the following:  gives three specific points the speaker is making about social media and how we interact today; and gives your opinion about whether you agree or disagree with him.

For the most points, you need to give the three specific points he is making, AND you need to explain what those three points are. (i.e. Don't just list your three examples.)  You also need to thoroughly explain your own opinion.


11-6-14 "Plainswoman" Text

Plainswoman
By Williams Forrest
            The cold of the fall was sweeping over the plains, and Nora’s husband, Rolf, and his men had ridden off on the roundup. She was left on the ranch with Pleny, a handy man, who was to do the chores and lessen her fears.
            Her pregnancy told her that she should hurry back East before the solemn grip of winter fell onto the land. She was afraid to have the child touch her within, acknowledge its presence, when he long deep world below the mountains closed in and no exit was available –for the body and for the spirit.
            Her baby had not yet awakened, but soon it would. But gusts of wind and a forbidding iron shadow on the hills told her that the greatest brutality of this ranch world was about to start. And then one morning Pleny came in for his breakfast, holding the long finger of his left hand in the fingers of his right. For some time he had concealed his left hand from her, holding it down or in his pocket; and from the way he had held himself, she had thought it was a part of his chivalry, his wish to have table manners, use his right hand and sit up straight with a lady. But now he held it before him like a trophy, and one he did not wish to present.
            Nora had been thinking of New England when Pleny came in –of the piano and the gentle darkness of her mother’s eyes, of frost on the small windowpanes, and the hearth fires, of holidays and the swish of sleighs, of men with businesslike faces and women who drank tea and read poetry, of deep substantial beds and the way the hills and the sea prescribed an area, making it intimate, and the way the towns folded into the hills. She was thinking of home and comfort, and then Pleny walked in; the dust trailed around his ankles, and the smell of cattle seemed to cling to his boots. A thousand miles of cattle and plains and work and hurt were clung like webs in his face.
            Nora had made eggs, ham bread and coffee for the breakfast, but Pleny made them objects of disgust as he extended his hand, as shyly but as definitely as a New England lad asking for a dance, and said, “I got the mortification, ma’am. I have to let you see it.”

            She looked at his index finger and saw the mortification of the flesh, the gangrene. He held the finger pointed forward, his other fingers closed. He pressed the finger with his other hand, and the darkened skin made a crackling sound like that of ancient paper of dangerous ice over a pond. And above the finger some yellow streaks were like arrows pointing to the hairs and veins above his wrist.
            Nora smelled the food, gulped, stood up and turned away.
            “I got to come to you, ma’am,” said Pleny. “I finally got to come to you.”
            He spoke firmly but shyly, but she did not hear his tone; she heard only his demand. And her emotion rejected it and any part of it. Her emotion said that he should not have come to her and that she had nothing to do with it, and would not and could not.  She walked toward the fireplace, staring into the low flames. She heard the wind coax the sides of the house. She said, pretending nothing else had been mentioned, “Pleny, there’s your breakfast.” She itemized it, as if the words could barricade her against him.
            But after she had spoken she heard nothing but his steady, waiting breathing behind her. And she understood that she would have to turn and face it. She knew he was not going away and would not happily sit down to eat and would not release her.
            The fire spoke and had no answer, even though it was soft. She turned and saw the weather on Pleny’s face, the diamonds of raised flesh, the scars. And she knew that death was in his finger and was moving up his arm and would take all of him finally, as fully as a bullet or freezing or drowning.
            “What do you expect of me, Pleny?” she said.
            He moved with a crinkling hard sound of stained dungarees, hardened boots and his dried reluctant nature. “Ma’am,” he said, “I don’t want you to think I’m a coward. I just wouldn’t want you to get that notion. I’ll take my bumps, burns and cuts, just like I did with this finger on the lamp in the bunkhouse and then on the gate before it could heal.  I’ll take it without complaining, but I sure don’t like to doctor myself.” His lake-blue eyes were narrowed with thought, and the erosion in his face was drawn together, as if wind and sun were drawing his face closer together the way they did the land in the drought. “I just can’t bear to cut on myself,” he said, lowering his head with a dry shame. He lifted his head suddenly and said, “I suppose I’d do it out on the plain, in the mountains, alone. But I can’t do it here.”

            His Adam’s apple wobbled as he sought in his throat for words. His lips were cracked and did not easily use explanations. “It just seems sinful, ma’am,” he said, “for a man to hack on himself.” Suddenly his eyes were filled with burning knowledge. He spoke reasonably, without pleading, but an authority was in his voice. “Ma’am, you never saw a man do that, did you, when somebody else was around to doctor him?”
            She had watched and listened to his explanation without a stirring in her; she had done so as if she were mesmerized, like a chicken before a snake. Gradually his meaning penetrated her and told her what he meant.
            “Ma’am,” he said, “would you do me the kindness to take off this here finger?”
            She ran senselessly, as if she were attempting to run long, far, back to New England. The best she could do was run through the rooms of the haphazardly laid-out house and get to her room and close the door and lean against it. She was panting, and her eyes were closed, and her heart was beating so hard that it hurt her chest. Slowly she began to feel the hurts on her shoulders, where she had struck herself against the walls and doors. Rolf had started this house with one room and had made rooms and halls leading off from it as time went on. She had careered through the halls to her room, as if fighting obstacles.

            She went to her bed, but did not allow herself to fall down on it. That would be too much weakness. She sat on the edge of the bed, with her hands in her lap. Her wish to escape from this place was more intense than ever within her. And her reasons for it ran through her brain like a cattle stampede, raising acrid dust and death and injury –and fear, most of all.
            Her fear had begun in the first frontier hotel in which she had spent a night. Rolf had been bringing her West from New England to his ranch in the springtime. The first part of the ride on the railroad had been a pure delight. Rolf’s hand was big, brown, with stiff red hairs on the back, a fierce, comforting hand; and her own had lain within it as softly as a trusting bird. The railroad car had had deep seats and decor that would have done credit to a fine home. As those parts of the world she had never seen went past, mountain, stream and hamlet, she had felt serene; and the sense of adventure touched her heart like the wings of a butterfly. She was ready to laugh at each little thing and she had a persistent wish to kiss Rolf on the cheek, although she resisted such an unseemly act in front of other people.
            “I know I’ll be happy,” she said. And his big quiet hand around hers gave her the feeling of a fine, strong, loving, secure world.
            But the world changed. After a time there were on a rough train that ran among hills and plains, and after a while there was nothing to see but an endless space with spring lying flat on it in small colorful flowers and with small bleak towns in erratic spaces, and the men on the train laughed roughly and smelled of whisky. Some men rode on the roof of the car and kicked their heels, fired guns and sang to a wild accordion.
            Rolf’s hand seemed smaller. His tight, strong burned face that she had so much admired seemed remote; he was becoming a stranger, and she was becoming alone with herself. She, her love for him, her wish for adventure were so small, it seemed, in comparison to the spaces and the crudity.
            One night the train stopped at a wayside station, and the passengers poured out as if Indians were attacking. They assailed the dining room of the canvas-and board- hotel as if frenzied with starvation. In the dining room Rolf abruptly became a kind of man she had never known. He grabbed and speared at plates like any of the others and smiled gently at her after he had secured a plateload of food for her that made her stomach turn. After affectionately touching her hand, he fought heartily with the others to get an immense plateload for himself. Then he winked at her and started to eat, in the same ferocious way as the others. His manners in New England had seemed earthy, interesting and powerful –a tender animal. But here, here he was one more animal.
            That night they shared a bedroom with five other people, one a woman who carried a pistol. Rolf had bought sleeping boards and blankets, so that they would not have to share beds with anyone. The gun-carrying woman coughed and then said, “Good night, all you no-good rascals.”
            Rolf laughed.
            The spring air flipped the canvas walls. The building groaned with flimsiness and people. Nora had never before heard the sounds of a lot of sleeping people. She put her face against Rolf’s chest and pulled his arm over her other ear.
            Late at night she woke crying. Or was she crying? There was crying within her, and there were tears on her face. But when she opened her eyes, the night was around her, without roof or walls, but there was the water of rain on her cheeks. Rolf bent over her. “We’re outside,” he said. “You were suffering. Exhausted, suffering, and you spoke out loud in your sleep.”
            “Why did you bring me out here?” The blankets were wet, but she felt cozy. He was strong against her. The night was wet but sweet after the flapping, moaning hotel.
            Some water fell from his face to hers. Was Rolf crying? No, not Rolf, no. But when he spoke, his voice was sad. “I told you how it would be, didn’t I?”
            “I didn’t know,” she said. “I didn’t know how awful it could be.”
            He spoke powerfully, but troubledly. “I can’t always take you outside, away from things. I can’t do that. There’ll be times when I can’t do for you, when only you can do it yourself.”
            “Don’t be disturbed,” she said, holding him closer. “Don’t be disturbed.” The smell of the wet air was sweet, and it was spring, and they were alone and small again in an enclosed world, made of them both, and she was unafraid again. “I’ll be all right,” she promised. “Rolf, I will be all right.”
            She slept with that promise, but it did not last through the next day. The train stopped after noontime in the midst of the plain. Cattle ran from the train. A lone horseman rode toward them out of curiosity. The sky was burning. Some flowers beside the tracks lifted a faint gossamer odor. Men were drinking and making tea on the stove of the car. Then they all were told that a woman two cars ahead was going to have a child, now. Nora was asked to go forward to attend her.
            The impressions of the next few hours had smitten her ever since. The car in which the woman lay on a board suspended between seats across the aisle was empty except for herself and the third woman on the train. The cars before and after this one had also been emptied. The woman helping her said that the men were not even supposed to hear the cries of the woman in labor. It would not be proper. But were the men proper anyway? From the sounds in the distance, Nora could tell they were shouting, singing and shooting, and maybe fighting and certainly drinking. She had seen labor before, when the doctor was unavailable, blocked away by snow, so she was good enough here, and there were no complications. But there was no bedroom with comforters, a fire and gentle women about. The woman helping her was the one who wore a pistol, and she cussed.
            When the child, a boy, was born, the gun-toting woman shouted the word out the window, and the air was rent with shouts and shooting. The woman on the board lifted her wet head, holding her blanketed baby. “A boy to be a man,” she said. “A boy to be a man.” She laughed, tears streaming from her eyes.
            The woman with the gun said softly, “God rest Himself. A child of the plains been born right here and now.”
            The train started up. Nora sat limply beside the mother and child. Men walked into the car, looked down and smiled.
            “Now, that’s a sight of a boy.”
            “Thank you kindly,” said the woman.
            “Now, ma’am, that boy going to be a cattleman?” said another.
            “Nothing else.”
            “Hope we wasn’t hoorawing too much, ma’am,” said a tall man.
            “Jus’ like my son was born Fourth of July. Thank you kindly.”
            “Just made his tea, but it ain’t strong’s should be,” said a man carrying a big cup.
            “Thank you kindly.”
            Another man came up timidly –strange for him; he was huge. It turned out he was the husband. He did not even touch his wife. He looked grimly at his son. The woman looked up at him. “All these folks been right interested,” he said.
            The woman smiled. The train jerked and pulled. Her face paled. The man put his hand on her forehead. “Now just don’t fret,” he said. “Just don’t fret.”
            “Thank you kindly,” she said.
            In her own seat, next to Rolf, Nora was pale. She flinched when the train racketed over the road. Rolf gripped her hand.
            “Rolf?”
            “Yes, honey?”
            “She’s all right. The woman with the baby –she’s all right.”
”I know.”
            “Then be quiet, don’t be disturbed. I can tell from your hand. You’re disturbed.”
            He looked out the window at the plains, at the spring. “The trip took longer than I thought,” he said. “It’s time for spring roundup. I ought to be at the ranch.”
            She was shocked. This great, terrible, beautiful thing had happened, and he was thinking of the roundup. Her hand did not feel small and preserved in his; it felt crushed, even though his fingers were not tightly closed.
            “Rolf?” Her shock was low and hurt and it told in her voice. “Rolf. That woman had a baby on the train. It could have been awful. And all you can think of now is the roundup.”
            He looked around t the others in the car. Then he lowered decorum, a little and put his arm around her.
            He whispered, “Honey, I tried to tell you –I tried. Didn’t you listen? On the plains we do what has to be done. Why, honey, that woman’s all right, and now we’ve got to get to roundup.”
            “But can’t we –can’t we be human beings?” she said.
            He held her. “We are, honey,” he said. “We are. We’re the kind of human beings that can live here.”

            She remembered all that and she remembered also that within two days after they had got to the ranch, Rolf had gone out with the men on spring roundup. That time, too. Pleny had been left with her to take care of the home ranch. She had been sad, and he had spoken to her about it in a roundabout fashion at supper one night.  Pleny ate with her in the big kitchen when the others were gone, instead of in the bunkhouse. And he was shy about it, but carried a dignity on his shyness.
            “Don’t suppose you know that the cattle’re more important than anything out here?” he said.
            “It seems I have to know it,” said Nora.
            Pleny was eating peas with a knife. She heard about it, but had never been sure it was possible.
            “Couldn’t live here without the cattle,” he said.
            “It seems to me that living here would be a lot better if people thought more about people.”
            “Do. That’s why cattle’s more important.”
            “I fail to understand you.”
            Pleny worked on steak meat. “Ma’am, cattle’s money, and money’s bread. Not jus’ steak, but bread, living. Why, ma’am, if a man out here wants a wife, he has to have cattle first. Can’t make out well enough to have a wife and kids without you have cattle.”
            I don’t think it’s right,” she had said then in the springtime. “I don’t think it’s right that it should be that way.”
            And Pleny had replied, “Don’t suppose you’re wrong ma’am. I really don’t.” He wiped his mouth on his sleeve. “Only trouble is, that’s the way it is here, if you want to stay.”
            She hadn’t wanted to stay. As soon as she was sure she was pregnant, she wanted to go home. The spring had passed, and the summer hung heavy over the plains. The earth, the sky, the cattle, the people had dry mouths, and dogs panted with tongues gone gray. The wind touched the edges of the windmills, and water came from the deep parts of the earth, but you could not bathe in it. The water was golden and rationed, and coffee sometimes became a luxury –not because you didn’t have the coffee, but because the cool watery heart of the earth did not wish to serve you.
            The fall roundup time came; and just before the outfit moved out, a cowboy, barely seventeen years old, had broken his leg. Rolf had pulled the leg straight, strapped a board to it and put the boy on a horse with a bag of provisions. “Tie an extra horse to him,” Rolf had commanded Pleny, “in case something happens.”
            Pleny had done so. Rolf had asked the boy, “Got your money?”
            “Got it right here.”
            “Now, you get to that doctor.”
            “Sure enough try.”
            “Now, when you’re fixed up,” said Rolf, “you come back.”
“Sure enough will.”
Nora knew that it would take eight to ten days for the boy to get to the nearest doctor. She ran toward the boy and the horses. She held the reins and turned on Rolf. “How can you let him go alone? How? How?”
Rolf’s face had been genial as he talked to the boy, but now it hardened. But the boy, through a dead-white pain in his face, laughed, “Ma’am,” he said, “now who’s going to do my work and that other man’s?”
“Rolf?” she said.
Rolf turned to her, took her hands. “Nora, there isn’t anybody that can go with him. He knows that.”
The boy laughed. “Mr. Rolf,” he said, “when I get my own spread, I’m going to go out East there to get a tender woman. I swear.” He spurred with his good leg and, still laughing, flashed off into dust with his two horses.
“Rolf? He might die.”
Rolf bowed his head, then fiercely lifted it. “Give him more credit.”
“But you can’t –” she began.
“We can!” he said. Then he softened. “Nora, I don’t know what to say. Here –here there’s famine, drought, blizzard, locusts. Here –here we have to know what we must do if we want to stay.”
“I don’t like it,” she said.
A wind lifted and moved around them, stirring grass and dust. In the wind was the herald of the fall –and therefore the primary messenger of the bitter winter. In the wind was the dusty harbinger of work, of the fall roundup.
“Soon I’ll have to go,” he said, “for the roundup.”
“I know.”
“The plains are mean,” he said. “I know. I came here and found it. But I –I don’t hate it. I feel –I feel a –a bigness. I see –I see rough prettiness.” He bowed his head. “That isn’t all I mean.” He looked at her. “Soon I have to go. You’ll be all right. Pleny will take care of you.”
She hadn’t told him that she was sure she had a child within her. She felt that she must keep her secret from this wild place, because even if it were only spoken, the elements might ride like a stampede against her, hurting her and her child, even as they did in the dark when she was alone and the wind yelled against the walls beside her bed and told her how savage was the place of the world in which she lived.
There was a knock on her door. She looked up. Her hands, folded in her lap, gripped each other. She did not answer.
“Ma’am?”
She said nothing.
“It’s Pleny. I just can’t sit down and eat, ma’am, worrying about this mortification of the flesh I got. I just can’t sit down to anything like that. I just have to do something.”
She made her hands relax in her lap.
“I have it wrapped up in my kerchief, ma’am,” said Pleny, “but that ain’t going to do no good.”
She closed her eyes, but opened them at once, staring at the door.
Pleny said, “I ain’t going to leave you and the ranch, ma’am. Couldn’t do that. I have my chores to do.”
A small unbidden tear touched the edge of her eye and slipped down.
There was a silence, and then he said quietly, “The doc’s so far away, don’t ‘spect I could get there before that mortification took more of my flesh. Sure would hate that. Sure would hate that.”
A second tear burned silver on the edge of her eye and dropped and burned golden down her cheek and became acid on her line of chin, and her wrist came up and brushed it away.
She heard the wind and many messages and she imagined Pleny waiting. She felt a sense of response, of obligation, of angry maternal love, as if all the wistful hope and female passion of her nature had been fused, struck into life, made able because she was woman, and was here, and birth, survival, help, lay potent, sweet, powerful in her heart and in her hands.
She stood up. “Pleny?”
“Yes, ma’am?”
“What must I do?”
He was silent, and she opened the door. Angrily, then firmly, she said, “Let’s go outside, Pleny.”
“Yes, ma’am.”
She held the kindling ax. Pleny had his finger on the block. He closed his eyes. The wind pulled her skirts. She looked up for a moment at the whirling light. Then, in necessity and tenderness, she swiftly did what must be done.

They were coming, the men were coming home from the roundup. The screen of dust was on the plain. She had been working on the meal and now it was the bread she was kneading. Working on the bread, she felt a kick against her abdomen.
She stopped, startled a moment, her hands deep, gripping in the dough –the kick again, strong.
Suddenly, in a way that would have shocked her mother, in a way that would have shocked herself not so long ago, she threw back her head and laughed, a fierce song of love and expectancy. She made bread and was kicked; she expected her man and she laughed, fiercely and tenderly. She was kicked, and a child of the plains had awakened within her.